Description

Under the guise of extreme simplicity, the house allows for the development of multiple personal images, ideological and architectural concepts, ways of being or life choices, imaginary projections or metaphors, unrealistic projects or extremely concrete dreams, true or false memories carried by infinitely rich sensory and bodily perceptions.

The works of Absalon, Magnus Gramén, Wolfgang Laib, Maude Maris, and Tatiana Trouvé provide a conceptual and contemporary counterpoint to the more intimate and spontaneous approach of the artists in the Sainte-Anne collection between the late 19th century and the 2000s.